My Writing Process is an ongoing blog hop in which writers answer four basic questions about their writing process and then pass the baton to two more authors. I was invited by multitalented author, photographer, and blogger Terri Lyndie. Thanks Terri! Check out Terri’s blog at http://www.terrilyndie.com/.
What am I working on?
Right now, I’m working on the second book in my Moondance Trilogy. In this one, my two foul-mouthed and oh so passionate lovers, Maggie and Mason, are faced with a whole new set of challenges. Now that Maggie is aware of Mason’s wealth, she must learn to adjust to a very different lifestyle than what she is used to. You can take the girl out of the cow pasture, but . . . Well, I think I’ve said enough about that. Working on this book is particularly stressful because I certainly don’t want to fall victim to the dreaded sophomore slump. I’m trying really hard, I pinky swear, to focus all my energy into this book. The few exceptions being a blog post here and there, a couple of reviews, and random photos of Chris Hemsworth (oh, and keeping up with Twitter, Facebook, my website, Goodreads, etc). With all of these demands on my time, I just don’t think it’s wise to split my attention with two major writing projects at once. I’m inclined to lean toward quality over quantity.
How does my work differ from others in its genre?
This question is tough for several reasons. Fans of this genre will tell you they expect romance books to meet certain criteria which are unique to the genre. Probably more so than any other group, our readers have some idea of what they are getting when they open a romance novel. I think the artistic challenge for us romance writers is to find ways to delight with our language and surprise the reader while staying within the confines of the genre. It’s sort of like writing a sonnet—it must be fourteen lines and stick to an accepted rhyme scheme or run the risk of not being a sonnet. Further, there are only so many ways one can take the boy-meets-girl plot. Originality in plot line is nigh impossible. Heck, even Shakespeare borrowed plot lines, and that was four hundred years ago. At this point in human existence, plot is pretty much played out. However, Shakespeare knew that how one tells the story and develops characters is wherein genius lieth. So, to answer the question, I’m a huge fan of realistic language, well-developed characters, and believable situations. And I don’t have a problem with dirty words. Words are just words. If they exist in our language and are used on a daily basis, I think I should be allowed to use them. I realize this may put me in a category of being too raw, too graphic for some readers, but I think others may find my work refreshingly real. Not that I’m a no-holds-barred kind of gal. I don’t set out with intentions of offending people. I just don’t get bent out of shape over a curse word or twelve. So, fair warning, if bad language and sexual content are offensive to you, don’t read my books. (And you probably shouldn’t read the rest of this post. Just saying!)
Why do I write what I do?
Oh, that’s easy. I write romance novels because I love them. Yeah, I know, that’s not much of an answer. It happens to be true, but there is a little more to it than that. Okay, allow me to explain: love, sex, hate, pain, joy, heartbreak—all of these coexist with emotion, but not just plain emotion. These require an outpouring of passion, often a passion so intense that it can alter the course of our lives. When we experience those things, that’s when we are most human. That’s when our lives transcend the here and now and link us with all who came before and all who will come after. Romance novels take me to the place where real human passion lives. They remind me of how absolutely essential it is for us humans to experience that passion. They remind me that true joy can only come after one experiences pain. And they remind me to be thankful for those moments of passion in my own life. I know I can’t please everyone, but I hope my writing brings joy to someone (after all, I’m one of those troubled artistic types who appears nonchalant, but deep down, I just want to be loved).
How does my writing process work?
Well, it is very simple. Some of us are blessed with an orderly muse who bestows her gifts in measured portions. She cultivates genius and looks after her protégé with the greatest care and routine visits—yeah, that muse? She ain’t mine. My muse is a drunk chick who hangs at parties until she makes a complete ass of herself, and when she’s done with that, I’m pretty sure she visits Stephen King’s muse and “sits and smokes cigars and admires his bowling trophies and pretends to ignore” me . This bitch likes to mess with me until I do stupid things like use isle instead of aisle or asses instead of assess. Sometimes she puts the spark of an idea in my head then withholds the word I’m looking for to make me forget it. But sometimes, when she sobers up, she is an utter angel. The problem is, I never know when she is going to behave. Ideas hit me at the oddest times—three o’clock in the morning, four minutes before I’m supposed to leave for a dental appointment, right smack in the middle of . . . ahem . . . relations with my husband. Needless to say, I don’t have a set routine. I feel like I’m most productive in the mornings, but that’s not always the case (sometimes that whore is hungover). But, you know what? She’s not so freaking smart. I’ve figured out a few ways to outsmart her, and, since Stephen King knows how to deal with his muse, I’m following his words of wisdom: “Amateurs sit and wait for inspiration, the rest of us just get up and go to work.” I bought a Windows tablet, so now, I can write anywhere at any time. The tablet and a small Bluetooth keyboard fit in my cavernous tote bag, so I take them everywhere I go. Also, I have earplugs strategically placed around my house. Even if my husband is watching my very favorite episode of South Park (which is the evolution episode, by the way), I can drown out the noise in the room with my handy-dandy ear plugs (at least until Mr./Mrs. Garrison begins the evolution lesson). My husband thinks I’m crazy, but it works.
Thank you for reading my post. All of us writers like to hear ourselves talk, but it’s nice to have others to listen to our self-indulgent musings. And please, feel free to leave a comment. I now pass the baton to these wonderful and talented ladies:
Sarah Winter is a self-published contemporary romance author from Wyoming whose debut novel, Snowbound, was released in January of 2014 and went on to become a quarter-finalist in the Amazon Breakthrough Novel Award Contest. Born in Wisconsin and currently living in Wyoming, she has a husband, two sons, and a pair of lazy salamanders. She’s currently working on another contemporary romance, Third Wheel. Check out her blog at http://www.sarahjwinter.com/.
And to . . .
A graduate of the screenwriting program at the University of Southern California’s film school, Morgan Richter has worked in production on several TV shows, including Talk Soup and America’s Funniest Home Videos, and has contributed pop culture-themed reviews and essays to websites such as TVgasm and Forces of Geek, as well as to her own site, Preppies of the Apocalypse. She is the author of Bias Cut, Lonely Satellite, Charlotte Dent, and Wrong City. Bias Cut won a silver medal in the Mystery category at the 2013 Independent Publishers Book Awards (IPPYs) and was a 2012 semi-finalist for the Amazon Breakthrough Novel Award (ABNA). Charlotte Dent was a 2008 ABNA semi-finalist; Lonely Satellite was a 2014 ABNA quarter-finalist. In 2012, Morgan founded Luft Books, an independent publishing company. Born and raised in Spokane, Washington, she currently lives in New York City. Check out her blog at http://preppiesoftheapocalypse.blogspot.com/.
Sarah and Morgan will post their responses to the My Writing Process Blog Hop next Monday, July 21st.